¡Uno! ¡Dos! ¡Tré! Or: Do you have the time, to listen to Green Day whine (on a triple-album)?
June 21, 2012 2 Comments
Power-pop rockers Green Day are releasing a trilogy of albums from September 2012. Triple releases are rare for popular artists and usually are live recordings or greatest hits compilations.
But can Green Day pull it off? Will it be any good? Will it sell? And will anybody care?
Critical reception
There have been a number of multi-album releases by comparable artists in recent times, think the Foo Fighters (In Your Honor), the Red Hot Chili Peppers (Stadium Arcadium) and Metallica (Load/ReLoad). Although they have performed solidly, they have invariably been less strongly received in comparison to the rest of their career.
Multi-album releases such as these by popular artists typically contain strong singles; however inevitably receive a lukewarm reception as albums. Common criticisms include a lack of quality control, and over-indulgence.
Even some of the most critically acclaimed multi-LPs suffer from filler – think Turd on the Run and I Just Want to See His Face from Exile on Mainstreet and Wild Honey Pie and Revoultion 9 from the White Album.
Just because the band thinks it’s good, it doesn’t mean it should be released.
Selling the album format
It has been well documented that the popularity of album format is declining. Particularly as platforms like iTunes, Spotify and YouTube have made it easy, and cheaper, to consume singles.
The popularity of these formats suggests that fickle and time-poor music fans simply don’t have the time or desire to sit through albums in the way they used to. Rather, they create their own mixtapes and playlists, which typically comprise singles spanning genres, eras and artists.
Finally, what more does Green Day have to say? After covering masturbation, teen-angst, the drudgery of middle-class life and a shot a political dialogue – do we need another 30+ songs?
…
At least if it all goes pear-shaped, they could just re-release and tour Dookie.
// Alec Schumann
* I haven’t forgotten the rare cases where multi-disc releases are considered among an artists’ best work (think Nick Cave and the Bad Seeds, Tom Waits and George Harrison, etc.)